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BASELINE: Typographics Journal, No’s 55–57 (LOT)

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Editor: Hans Dieter-Reichert
Publisher: Bradbourne Publishing Ltd
Publication: 2008–2009, First Edition
Binding: Softcover, saddle-stitch
Pages: Approx 52 per issue
Size: 245 x 345
Text: English

Click here to find more back issues of Baseline, or take a browse through the 'Magazines' section to discover more titles such as Eye, DESIGN, Emigre, TypoGraphics, Graphics International, Grafik and more!

Launched 1979, an authoritative magazine about type and typography, within graphics and the visual arts.

Issue #55

  • Books Kerry William Purcell & Paul Shaw
  • Editorial, Hans Dieter Reichert
  • Placas in Los Angeles, the first suburban blackletters? François Chastanet
  • Vivo in Typo, Philippe Apeloig
  • Luc(as) de Groot Jan Middendorp
  • The Art of French Pharmaceutical Advertising 1930s–1940s, Steven Heller
  • Control print, Russell Warren-Fisher
  • Art-history, blind spots and graphic design, Ben Bos
  • Department of Typography & Graphic Communication, University of Reading, England Prof. Ian McLaren

Issue #56

  • Book, Franc Nunoo-Quarcoo
  • Dysfunctionalandoutofsyncexperiments, Ivan Chermayeff
  • Control Print 2, Malcom Clarke
  • Titling Home Movies, Mitten’s Way, Steven Heller
  • The Art of Psychographics, Kerry William Purcell
  • The artist’s books of Ken Campbell, Ken Garland
  • Women in Print, Dr. Caroline Archer
  • UCA at Maidstone: Expanding the page, Mark Sanderson

Issue #57

  • Books, Paul Shaw & Ken Garland
  • Poster Journeys: Abram Games and London Transport, Ken Garland
  • Ceci n’est pas une lettre, Timothy Donaldson
  • Design behind the dikes, Ben Bos
  • Rian Hughes’ 500 Faces, Steven Heller
  • Control Print 3, Sara Carneholm & Leah Harrison Bailey
  • The story of the Armenian alphabet, Carolyn Puzzovio
  • Coming of age, David Jury
  • Visual Communications at the University of Delaware, Ashley Pigford & William Deering

Condition: Very Good. All titles are used and show shelf ware consistent with age. Light rubbing to covers and edges. Interiors generally clean.

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